A new site specific audio artwork by Alison Carlier and Amanda Loomes.
New digital artwork makes link between punk and the ancient art of breeding roses
Launch Date: Wed 14 June: 5pm-8pm
4.30pm: Press Photo Call
Open Day: Sat 17 June: 11am-3pm
12noon-1pm: Artist’s talk & Q&A
Venue: Rose Garden and Chalkwell Hall, Chalkwell Park, Southend SS0 8NB
Spiky Black is a new site-specific audio artwork made for NetPark by artists Alison Carlier and Amanda Loomes. It responds to the historic Rose Garden in Chalkwell Park, Southend-on-Sea which has been a feature and source of local pride since 1908.
Whilst developing the year-long project the artists have spent time in residence with Metal and worked closely with Chalkwell Park’s gardeners, one of whom (recently retired) inspired the title and concept for the artwork. He grew up a punk and now imagines creating and naming a rose ‘Spiky Black’in memory of his youth. The 100% black rose is notoriously impossible to breed and though countless attempts continue to be made it remains an enticing and enigmatic idea.
Working with the words of rose growers from around the UK including Peter Beale’s rose nursery in Norfolk, Spiky Black playfully shifts register from the pragmatic to the poetic, incorporating language sourced from punk bands, historic rose catalogues, horticultural terminology and first person interviews. It provides a transformative audio layer to the rose garden experience, giving listeners an intimate and alternative insight into the thoughts and language of those committed to growing roses.
Designed as a series of short tracks, the audio work can be accessed by visitors to Chalkwell Park via their mobile devices at www.netpark.zone using the free NetPark wi-fi. A supporting website will provide more information about the work and additional interviews and videos.
The Chalkwell Park Rose Garden has been one of the finest Rosaries in the country and its proud history has been recorded by Jim Sanctuary, president of Leigh Horticultural Society alongside the story of the celebrated local Rosarian, Walter Easlea (Easlea’s Golden Rambler, 1927). Jim has provided valuable expertise and insight to Carlier and Loomes throughout the project and in an exciting development Leigh Horticultural Society have sponsored the replanting of one of the rose beds with Royal William roses and to re-introduce the Easlea’s Golden Rambler into the park.
The project has also part-supported the renewal of three signs for the Rose Garden, with additional costs being met by Southend Borough Council. These smart new signs provide up to date information about the planted roses and highlight the presence of the artwork and how to access it.
“Alison and Amanda’s lively and entertaining audio is both informative and humorous, and a great addition to the enjoyment of visitors to Chalkwell Park’s beautiful and historic rose garden”
Jim Sanctuary, President, Leigh Horticultural Society
“Working with Amanda and Alison has been a really enjoyable experience. I hope they achieve good things with the various pieces of information they have collected from the different horticultural organisations.”
Jim Lockett, Gardener, Chalkwell Park
"I am so pleased to have been asked to contribute to this unique project and hope that it proves to be a big success."
Ian Limmer, Nursery Manager, Peter Beales Roses
Spiky Black was funded through a Grants for the Arts Award from Arts Council England.
Spiky Black will be launched on Wednesday 14 June 2017: 5pm till 8pm – all welcome. An Open Day will follow on Saturday 17 June 2017: 11am till 3pm with iPads available on loan to listen to the work and an artists talk and Q&A about the making of the work at 12noon till 1pm.
Photo Call Opportunity – Wednesday 14 June 2015 – 4.30pm
On Wed 14 June at 4.30pm, the artists, Chalkwell Park gardeners, Jim Sanctuary, president and other members of LHS and all the partners will be on site at the Chalkwell Park Rose Garden for photographs and interviews.
For more details, interviews and images please contact Syd Moore on firstname.lastname@example.org or 01702 470 700
Working in collaboration for the first time, Carlier and Loomes say that they have “hybridised their practices to develop an experimental documentary audio drawing”.
About Alison Carlier
Alison Carlier completed an MA in drawing at Wimbledon College of Art in 2013 and went on to win the Jerwood Drawing Prize (2014) with her open ended audio drawing ‘Adjectives, lines and marks’. She has gone on to have solo exhibitions at Hardwick Gallery, Cheltenham (2014) and m2 Gallery, Peckham (2016). Her work was selected for Emergency 7, Aspex, (2015) and for a new work ‘Tonal Observational Drawing’ at The JHB Archive, Birmingham Open Media, (2015). She gave a performance at Art Language Location, Cambridge (2015) and in 2016 became the Alexandra Reinhardt Memorial Award Artist in Residence at Aspex, Portsmouth resulting in permanent commission for the gallery.
About Amanda Loomes
Amanda Loomes has been making experimental digital documentaries since graduating from The Royal College of Art (2006) including a number of works funded by Arts Council England such as ‘Equivalents I-VIII’, 2010 and ‘Multi-story’, 2014, which subsequently won South Central Open. In 2013 she was short-listed for Jerwood Open Forest working with Forestry Commission England and the work was shown at Jerwood Space (2014). In 2015 Loomes was co-commissioned by HOUSE & Photoworks and developed the film installation ‘Relict Material’ exploring the marine aggregate industry. Last year she undertook a National Trust commission at Lyme in Cheshire working with the past and present ‘Keepers’. In 2015 she was selected by Metal to attend a weeklong development LAB in Southend that has resulted in Spiky Black.
About Leigh Horticultural Society
The inaugural meeting of the Leigh Horticultural Society was held on Thursday, 4th June 1925, at Elm Hall (now Leigh Community Centre) under the chairmanship of Mr Cranley Perry, a keen local gardener who lived in Vernon Road. At the time, Leigh was undergoing rapid expansion, with large housing estates being built on countryside that had hitherto been farmland. New home-owners were eager to grow flowers and vegetables on their virgin plots and many were quick to join the fledgling horticultural society.
An early event was a competition for the best-kept garden, launched in 1926 and proving popular over many years. In the 1930s, summer flower shows were held at Chalkwell Park, featuring marching bands, dance troupes, side shows, and special events for local schools. The show benches were erected under canvas and well supported by members of the flourishing society. By the end of the decade, the LHS Summer Flower Shows had become an important feature in the town’s calendar of major events. However, horticultural exuberance was soon to be dashed by the outbreak of the Second World War. The Dig for Victory campaign was underway and the lawns and flower beds of Chalkwell Park were ploughed up for the production of vegetables, to augment the many allotment sites around the town. Leigh Horticultural Society went through a period of decline as men and women were called up to assist in the war effort. Nevertheless, within a few weeks of VE Day, the dormant society was resurrected under the chairmanship of Mr W. Finch, who lived in Oakleigh Park Drive and is thriving to this day.
Metal was founded in London in 2002 by Jude Kelly CBE, working with current Artistic Director and CEO, Colette Bailey since its inception. Each of our spaces: Edge Hill Station in Liverpool, Chalkwell Hall in Southend and Chauffeurs Cottage in Peterborough were renovated to create centres of activity for artists, creatives and community. From these bases, Metal have worked with artists and local agencies to provide the catalyst that is helping to transform the potential for thriving creative and cultural industries in these three places over the last ten years.
Metal also works directly with artists from overseas and across the UK helping them to research and realise ambitious projects and ideas that take place in a wide variety of contexts within the region. These ideas often respond in a specific way to place and are innovative in content. We take a developmental approach to local creativity and talent – training, mentoring and supporting the growth of knowledge and capacity in the sector, encouraging cross-sector and cross-disciplinary conversations and sharing of knowledge.
Metal also creates its own projects – large in scale, high in impact and involving a wide number of participants and audience from all walks of life. Each year Metal works with around 1200 artists from across the world, 18,000 active participants, over 60,000 live audiences and more than 100,000 online audiences.
NetPark is the exciting new visitor attraction for Southend, created and launched by Metal in October 2015. It is a constantly evolving collection of GPS located digital artworks that present artistic responses to the landscape, people and history in the busy, well-used Chalkwell Park. Spiky Black will be the fourteenth, specially commissioned work to be sited within NetPark.
NetPark also has at its heart a research and education studio, fully equipped with digital facilities at Metal Art School to enable continued artistic R&D and an education programme for young people and adults. We also run an ongoing NetPark Wellbeing Project which works with adults living with mental health issues, including those living with dementia, using digital art, developing digital skills and the outdoors.
NetPark creates an added layer of thought-provoking, engaging and playful artworks to enhance the usual day out in the park, and attract new visitors to the park and to Southend.